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Southward.W.A.T.
- for violence, language and sexual references.
Starring: Colin Farrell, Samuel 50. Jackson, LL Cool J
Running Fourth dimension: 1 hour, 56 minutes
Theatrical Release Engagement: August 8, 2003
Plot Summary
They're the all-time of the best, the aristocracy of the police force enforcement. And they've been recruited for their most unsafe mission ever. Inspired by the pop '70s tv series, the explosive action-thriller Southward.Due west.A.T. stars Samuel L. Jackson and Colin Farrell and is directed by Clark Johnson. Farrel plays Jim Street who, along with his partner, is kicked off Southward.W.A.T. until re-recruited months later for an of import assignment. After weeks of demanding physical training, the new S.W.A.T. team is quickly thrown into action when a notorious drug lord Alex Montrel (Olivier Martinez), audaciously offers a $100 one thousand thousand bounty to anyone who tin can gratuitous him from police custody. As they escort the kingpin out of Los Angeles and into the hands of the Feds, they are pursued past a ruthless and well-armed ring of mercenaries. Film Review
I was kind of surprised to find that the summer action-thriller S.W.A.T. was based on a television. And considering how I was a child of the '80s, I'm pretty surprised I'd never heard of it till this movie. So without any knowledge of the show, I can't compare the two. But knowing Hollywood's track record, I highly doubtfulness the flick version is anything remotely like the television show. With that, the film stars Samuel L. Jackson, the rowdy newcomer Colin Farrell and rapper-turned-actor LL Cool J. It's a testosterone filmed film for the guys that probably has enough fit-guys-with-no-shirts-on shots to continue the ladies interested.
Grapheme development is sacrificed for the most part in S.Westward.A.T., as a lot of attending is payed to the plot and the often-intense action sequences that surroundings them. While the film pauses for some of import interaction betwixt a few characters, you never learn much about their backgrounds or who they really are. And then, for the near part, nosotros encounter the main squad in passing as we sit down on the sidelines watching their responses to tense situations and rooting for them considering either you like the thespian (or extra) or you just know that'southward what you're supposed to exercise.
Farrell appears here in his second police enforcement movie this year with grooming sequences (The Recruit was the first) and Jackson assumes the leadership role. LL, Michelle Rodriguez, and a couple other lesser-known actors round out the rest of the primary team in the film. LL Cool J fit his part actually well but Rodriguez's constant "don't mess with me" front was a little over-the-top and tough to swallow. With a abiding stone-faced tough-daughter grimace plastered on, Rodriguez merely seemed more than like a bitter kid who'd been picked on one too many times than a adult female on a police enforcement squad. Jeremy Renner plays Street's loose cannon partner in the offset of the motion-picture show, but when he shows upwardly again, it tosses some reality out the window along with the flick's all-heck-breaks-loose ending. While some elements of the ending may seem like a "been there, done that" thing for Hollywood cop films, information technology'south adequate enough for this police activity movie. All the same, the film's best moments were when it was sticking to the books and placing us on the sidelines of some more than realistic sequences.
Content-wise, S.W.A.T. is an utter disappointment. While the sexual content is thankfully kept down to a few comments and the sight of a random daughter flashing a motorcade (we just see her blank dorsum as she lifts her shirt), the linguistic communication of the film is pretty potent as information technology offers at least 1 "f" give-and-take, most 20 "s" words, and close to twenty uses of blasphemy. It wasn't necessary and only took away from the scenes information technology was used in. Violence was heavy but often not very graphic. In instances where you'd await the camera to focus on the violence, surprisingly they cut away most of the time. However, some moments are yet pretty rough including one where the villain, Alex Montel, slits his Uncle's pharynx (not seen, just the activity is seen and heard) or when Street's hand is impaled with a knife and stuck to a board (again, not focused upon or shown up close, simply the action is seen). Spiritually, the film is empty. A character nosotros briefly see a couple times in the beginning of the moving-picture show is a proclaimed Mormon who discusses how he became a Mormon for his wife. While they make several references to this character'south religion, the film isn't promoting it. Yet, there is no real support of whatsoever religion as it isn't the focus of the moving picture in any way.
It'due south not a soft film and is definitely not i for the younger oversupply. The vulgarity was offensive as was some of the sexual dialog and the violence was pretty rough, so I wouldn't actually recommend this moving picture unedited. If it's the kind of film you think yous might really enjoy, I suggest waiting til it's edited on Telly or filtered through the DVD-editing program ClearPlay.
- John DiBiase, (reviewed: 8/23/03)
Parental Guide: Content Summary
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Posted by: bradshawfithate.blogspot.com

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